Fire and Water: A Tool for Steam-Powered Enchantment

Admittedly, it’s weird to see the WordPress write-post screen so frequently lately after so long without writing anything.  Quoth Alan Moore’s “Promethea” issue #19: “Man, this is like city transport.  You gonna wait forever for a beautiful woman, then three gonna show up at once.”  Then again, I suppose that’s the nature of inspiration: having the time, being at the right time, and having the resources available to present themselves.

Like everyone else on Facebook, my news feed (I remember back in the days when we just called them “walls”) is filled with videos, sometimes funny, sometimes stupid, sometimes educational.  One such video demonstrated a series of eight physics tricks, often involving magnets and batteries, but there was one in particular that caught my eye because it relied on water and fire.  While I couldn’t find the original video in a way to show here, I did find another video from Grand Illusions (whose channel is full of wonderful toys, tricks, gimmicks, and projects demonstrated by an amazing wizened Brit) that shows the exact same thing with a better description and demonstration:

The presenter isn’t sure what to call the thing, but it is similar to the kind of toys known as “pop-pop boats”, which use a tiny boiler to propel a tiny boat in water, making a continuous pop-pop sound.  This, however, isn’t quite the same.  Rather, it’s better described as a steam-powered top, constructed out of a bit of copper tubing extended through some corkboard, with its ends projecting out underneath and facing opposite directions.  The copper tubing is filled with water, then the “boat” is set on top of a bowl or container of water, and a candle is set on top of the platform under the coil.  The candle, once lit, heats the water inside the coil, turning it to steam and pushing it out, and then as the vapor cools in the coil not directly heated by the flame, sucks water back in, producing a top with sudden bursts of movement followed by slow periods of inertial spinning.  In a way, it’s a neat demonstration of the same principle underlying an aeolipile, but with a different setup and arrangement.

A neat little gimmick on its own, sure, but when it comes to matters combining fire and water, my mind starts thinking about possible occult applications.  And, for this, I think the occult applications are shockingly wonderful for how simple this would be as an extra tool in my kit.  Consider: it is not uncommon for us to bless, enchant, or otherwise bespooken liquids in our work, yes?  We normally achieve this by praying over the water, adding certain ingredients, setting it out in sunlight or moonlight, or extinguishing candles in them (either by setting a candle in the water and letting it burn out into it, or lighting a candle and quenching it in the water).  Separately, we often use candles in our work, which forms the entire field of candle magic unto itself in addition to being used as integral parts of other ceremonies.  We anoint, engrave, or dress candles, set them atop petitions, or use them as a means to empower other workings.  However, it’s not common to see an explicit merging of candle magic and water magic given the intrinsic opposition between fire and water, but the steam-powered top has a way of doing precisely just that using an almost-alchemical apparatus.

My idea for combining the two is, essentially, another technique to empower or enchant an amount of water by using the candle (dressed appropriately) to transfer its power directly into the water, but in a more prolonged and directed means than simply by extinguishing a candle in the water itself.  Assuming the copper tubing is clean and the corkboard itself doesn’t disintegrate (and it might be worth it to replace the corkboard with something more stable and hardy at some point), the water isn’t contaminated by any pollutants or additions, making it perfect for an innocuous substance that only the magician would be inclined to recognize as empowered.  Plus, instead of another method where one might heat a container of water directly using enchanted fuel (such as a cauldron heated by sacred woods and incenses), this can be done on a much smaller scale with a lot less overhead.  Additionally, the steam-powered top does its own job at keeping the water mixed through its constant spinning, though different videos show it spinning in different directions; the YouTube above shows a clockwise-spinning top, but other videos show it spinning in counterclockwise motion.  Either way, the tool seems to be useful in transferring the energy and intent of a candle directly to water, in a clean and full way that doesn’t leave residue or candle remnants.

Let’s give some examples of use, shall we?  Say that a friend has contracted a prolonged sickness, and some investigation shows a possible spiritual influence.  Dress a candle with the intent for health and shaking off spiritual gunk and set it atop a small name paper of your friend on the corkboard, then use the top in a bowl of clean water.  Administer the water to your friend in the form of baths and drinks to cleanse them internally and externally.  Being “nothing more” than clean water, perhaps with a faint metallic aftertaste, such a water could be used innocuously and without notice, or for those with sensitivities to particular herbs or oils.  Instead of giving it to them to drink or bathe with, you could also use the water in a humidifier, or set it in a pot to boil, so as to fill an entire area with the water, or use it in the washing machine for a load of laundry to do the same.  Alternatively, for a more malefic use, say you want to get rid of a troublesome coworker in the workplace, but the usual methods of doing so would draw too much undue attention, such as the laying of powders, dressing with oils, or other charms or tricks.  Dress a candle with hot-foot or get-fired oil and pray over the water to do the same, then once empowered, bring the water with you to work in an otherwise-normal water bottle (that you may not want to ever drink out of again).  “Accidentally” spill the water on your coworker’s uniform, shoes, or desk; it being water, most people would think no-harm no-foul, but you know better, don’t you?  Or, if they have a habit of leaving their desk or supplies unattended, put a few drops in their coffee mug on their desk or on their chair when they’re not looking.

If you’re comfortable with doing so, of course, there’s nothing saying you have to use plain old water for this sort of tool; most herbal infusions would likely work fine, though you’d do well to make sure they don’t corrode copper or corkboard too quickly, and that you thoroughly clean the tubing before and after each use to prevent both spiritual and material contamination.  Alternatively, the water could be used as an ingredient in other recipes, with the steam-powered top enchantment providing a kind of “pre-blessing” to prime the recipe as a whole.  I’d refrain from using this tool with anything with a high alcohol content, of course, given the obvious dangers of open flame around flammable liquids, though with a different construction of such a top in a fire-safe chamber, perhaps this wouldn’t be so much an issue.  The YouTube video above links to the Grand Illusions website where you can get your own pre-made steam-powered top for a not-unreasonable price, which I’ve already done and I’m excited to put to work when such an opportunity presents itself.  However, it wouldn’t be hard to make one of these yourself, though getting the copper tubing (or some other non-corroding heat-conducting metal) fixed in just the right direction may be a challenge for some.

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A Shrine to Lord Saturn

This year, both I and my husband turn 28.  It helps that we’re only born, like, six weeks apart, so our natal charts aren’t too dramatically different from each other’s, at least for the slower-moving planets out there.  This is especially the case for Saturn, which we both have in Sagittarius and dignified by both face and term.  It’s a weird place for Saturn to be, but it’s not a terrible spot for either of us.  This is a good thing, as we’re ramping up to face our first Saturn return together at pretty much the same time, which is awesome and awful.

What is a Saturn return?  Roughly every 30 years (29 years, 5 months, 15 days to be exact), Saturn returns to the same place it was when you were born.  As Saturn gets closer and closer to this position, people start feeling these effects a little early, some as early as 27.  The effects tend to drop off soon after the return is made exact, so the range for feeling the effects of this first Saturn return transit usually goes roughly from when you’re 28 to 31, or three years.  The second time happens from ages 56 through 59, and the third from 84 through 87.  Some very few people ever get to experience a fourth Saturn return, but that’s neither here nor there.  Unlike other planetary returns, Saturn returns are most notable as being fundamental shifts from one stage to another in a person’s life: the first Saturn return marks either the midlife crisis or one’s final ascension into adulthood, the second return one’s passage into senescence, and the third return one’s preparation for death.  In general, how one adapts and responds to one’s return lays out how well or poorly one’s life will go through the next return.

So what is it like during a Saturn return?  Essentially, Saturn becomes the dominant theme of your life, and its energy and power suffuses every day of the transit.  Think: Saturn is the planet of final cosmic justice, restriction, obligation, limitation, scarcity, famine, depression, poverty, disease, and darkness.  By the same token, however, think about the idea of the thick cell wall of prisons or monasteries: sure, they keep one isolated and trapped, but by the same token, they also keep one safe and sound from anything going on outside.  Saturn shows us our limits, where those limits are to be obeyed without question, and where those limits can be pushed back or knocked down.  Saturn is a planet of atrophy, but it is also one of soundness; one might be thinner, but one becomes stronger in the process.  Saturn returns force us to confront ourselves and our own blown-up ideas of ourselves, and deflates us down to a shriveled, wrinkled mess.  In the process of everything we think we are and everything we think we need being taken away from us, however, we find out what it is we’re truly made of and what we truly need to survive on.  Once we know the bare minimum of what we can do and what we can survive on, we can build ourselves up once more in a proper way to truly come into our own.  Saturn return is a time of refinement through intense trial that we cannot escape or delay.  Jobs we think we love get taken away from us, lovers we think we can’t live without leave us, homes we think we will own for the rest of our days get burned down or sold from under our feet.  If you’ve ever asked for “take away everything that hinders me and holds me back”, Saturn return does this in fucking spades.  No need to do a cut-and-clean spell if you don’t want to; if you just wait long enough, the cosmic clockwork of the solar system will make it clear that it’ll happen one way or another.  Saturn is the cosmic judge who takes stock of everything you are and everything you do, and when Saturn comes home, he is going to clean house.

So, faced with this insurmountable trial of fate and gravity, how do I plan on surviving these next few years?  Most people become assholes and fight against it, or depressed and mope about it lamenting their inevitable fate that happens to each and every one of us.  Those are awful ways, and not what I consider to be the easy and proper way: by welcoming it, embracing it, and giving respect and honor where they’re due by setting up a shrine to regularly confront and propitiate the forces, energies, entities, and god of Saturn.  By working with the forces of Saturn, we can better integrate them into our lives, accepting the trials that come to us easier and forewarned that they will happen, acknowledging our pain and actively reaching for our own refinement, treating this as a time of tough cosmic love rather than cruel hellish fate.

With that in mind, let’s do a brief bit of some Liber 777-type research on Saturn.  For the sake of expanding our symbol set and connecting the dots together, what’re some of the attributes we can find about this planet in the Western magical literature?

  • Names in classical languages:
    • Latin: SATVRNVS
    • Greek: Κρονος (Kronos, the god/spirit of the planet), Φαινων (Phainōn, the titan/body of the planet)
    • Hebrew: שבתאי (Shabbathai)
    • Arabic: زُحَل (Zuḥal)
    • Persian: کیوان (Keyvan)
    • Sanskrit: शनि (Śani)
    • Egyptian: herukapet (Ḥeru-ka-pet, also known as Horus the Bull)
    • Sumerian: cuneiform |TUR.DIŠ| (Genna)
    • Babylonian: (Kayyamaanu, written as UDU.IDIM.SAG.UŠ or as above in Sumerian)
    • Chinese: 土星 (Mandarin Tǔxīng, Cantonese tou2 sing1, Middle Chinese /tʰuoseŋ/, Japanese dosei, Korean toseong)
  • Spirits and entities associated with it:
    • Angelic governor: צפקיאל (Tzaphqiel), often rendered into Latin as variants on the name Cassiel
    • Picatrix angel: Isbil (Arabic original), Heylil (Latin translation)
    • Olympic spirit: Aratron
    • Planetary intelligence: אגיאל (Agiel)
    • Planetary spirit: זאזל (Zazel)
    • Choirs:
      • Agrippa: אראלים (Aralim)
      • Pseudo-Dionysus: Thrones
    • Zodiacal angels:
      • הנאל (Hanael, angel of Capricorn)
      • כאמביאל (Cambiel, angel of Aquarius)
    • King of the Jinn:
      • Name: ميمون (Maymon, the Auspicious One)
      • Nickname: ابا نوخ (Abba Nuh̬, the Father of Rest)
    • Heptameron Spirits:
      • Angel: Cassiel
      • Angel of the Air: Maymon Rex
      • Ministers: Abumalith, Assaibi, Balidet
      • Wind: Africus (southwest)
    • Lemegeton Goetic Rank: Knight (only one spirit of this rank, Furcas)
    • Deities associated with Saturn:
      • Sumerian: Ninurta, Ninmah
      • Babylonian: Adar, Nintu, Tiamat
      • Persian: Zurvan
      • Phoenician: Asherah
      • Egyptian: Sobek
      • Gnostic: Yaldabaoth
      • Greek: Kronos
      • Roman: Saturnus, Lua
      • Etruscan: Vetis, Veiovis
      • Hindu: Śaniścara
  • Qabbalistic correspondences:
    • Numbers: 3, 15, 45
    • Shape: Triangle
    • Sephirah: Binah
    • Sephirothic colors: Crimson, black, dark brown, grey flecked pink
    • Path: #32 (the World, connecting Yesod-Malkuth or Moon-Earth)
    • Path colors: Indigo, black, blue-black, black rayed blue
    • Godname: יהוה אלוהים (YHVH Elohim)
    • Hebrew letter: ת (Tav, 400)
    • Greek letter: Ω (Ōmega, 800)
    • Weekday: Saturday
    • Zodiac signs:
      • Domiciles: Capricorn, Aquarius
      • Exaltation: Libra
    • Geomantic figures: Carcer, Tristitia, Cauda Draconis
  • Religious concepts:
    • Deadly Sin: avarice/greed
    • Heavenly Virtue: generosity
    • Hermetic Virtue: silence
    • Hermetic Vision: The Vision of Sorrow
    • Apostles: Simon the Zealot (Capricorn), Jude (Aquarius)
    • Prophets: Enoch, Samuel, Nahum (Capricorn), Habakkuk (Aquarius)
    • Judges: Elon (Capricorn), Abdon (Aquarius)
    • Theological Figure: The Virgin Mary and Mary Magdalene
    • Weekday archangel: Selaphiel or Sealtiel, the angel of prayer to God and who presides over the priesthood
    • Psalms for Pentacles (KJV): 72:8-9, 109:18, 18:7
  • Materials and substances:
    • Metals: lead, black iron, pyrite
    • Stones: onyx, sapphire, brown jasper, chalcedony, lodestone, sulphur, antimony, jet, turquoise, magnesium, all dark and weighty and earthy minerals
    • Plants: white daffodil, asphodel, dragonwort, rue, cumin, hellebore, benzoin, mandrake, cyprus, opium, pine, cypress, black fig, hemlock, yew, myrrh, sesame, aconite, cactus, cocoa, datura, spurge, fennel, male fern, lichen, mos, lungwort, soapwort, weeping willow, tobacco, pomegranate, ivy, orchis root, thistle, coconut, ramthorn, spikenard, galbanum, asafoetida, euphorbium, colophony, stammonia, rhubarb,
    • Animals: ape, cat, hog, mule, camel, bear, mole, donkey, wolf, hare, mole, dragon, basilisk, toad, serpents, scorpions, ants, mice, vermin, cranes, ostriches, peacocks, screech-owl, horned owl, bat, lapwing, crow, quail, eel, lamprey, dog-fish, tortoise, oysters, cockles, sea sponges, cuttlefish
    • Parts of the body: skin, bones, spleen, knees, lower legs, right foot, right ear, right eye, left hand, excretory system, mouth, intestines, bladder, genitals
    • Other organic substances: soma, civet, musk

And, to top it off, a gallery of various Saturn-related seals, sigils, symbols, and signs from all the stuff collected across my blog:

With that said, I now present to you how we combined so much of all of the above into our household’s Shrine to Lord Saturn.

Shrine to Lord Saturn

The primary color of the shrine is black (the primary/Queen color of the planet) accented by crimson (the secondary/King color), accented by a pale Solar gold.  Within the shrine is a particularly pretty (to my mind) metallic print of Saturn eclipsing and illuminated by the Sun.  Surrounded by a the fabric canopy and lengths of chain is a custom talismanic art I made that concentrates the images and seals of Saturn together in a coherent way.  This artwork combines, again, all of the symbols, seals, sigils, numbers, names, spirits, intelligences, angels, and characters of Saturn together, with very subtle nods to the zodiac signs Capricorn and Aquarius (the domiciles of Saturn), Libra (its exaltation), and Sagittarius (where my and my husband’s natal Saturns are) and Aries (our housemate’s natal Saturn).  Additionally, there are three written statements on there: the Sanskrit mantra to Lord Shani, a Greek invocation to Phainōn and Kronos, and a Latin invocation to Saturnus:

  • Sanskrit: ॐ शं शनैश्चराय नमः (Om Śaṃ Śanaiścaraya Namah, “Hail to the great name of Shani”)
  • Greek: ΙΩ ΦΑΙΝΩΝ ΙΩ ΚΡΟΝΕ ΙΩ (“Hail, Phainon! Hail, Kronos! Hail!”)
  • Latin: IAVE SATVRNE MAXIME NITIDE SEVERE IA (“Hail, great, bright, grave Saturn, hail!”)

I had originally planned to do this in stark black and white, but I opted instead to use a blend of silver, gold, white, and a few basic colors to suit the characters or needs.  All told, this painting forms a sort of all-around “map” to the powers and resonances of Saturn.

Talismanic Saturn Painting

The focal point of the shrine table is the oil lamp in the middle.  In Indian astrology, devotees of Lord Shani burn sesame oil in honor of the god, so I figured I can incorporate the same.  I got a traditional ceramic oil lamp glazed in dark brown and dark blue, both colors associated with Saturn, and filled it with cooking-grade sesame oil mixed with three drops of myrrh essential oil.  Here I’m using a simple cotton thread wick, but normally I’d use a linen strip or a cotton ball, rolled out flat, pressed into a thicker cloth-like sheet, written upon with sacred symbols of Saturn in consecrated ink, and twisted back lengthwise into a wick.  I placed the lamp on a wooden placard I made that has the symbol of Saturn in the middle of a large hexagram, surrounded by the symbols of the other six planets in each of the triangular wings of the hexagram.  Around the symbol of Saturn in its central hexagon, and on the outside of each of the triangles, I inscribed the characters of the seven planets from Agrippa (book I, chapter 33) and wrote around the whole thing the name Κρονος in Greek.  Each of the planetary symbols are colored in the usual planetary color, as are their characters.  The word Κρονος, the symbol and characters of Saturn are all filled in silver, while the surrounding circle and the hexagram itself are all filled in gold.  Everywhere else on the placard is covered in black.  I also added on the name of God “Elohim” written in ancient Phoenician script around the edge, split into six characters and colored for the six non-Saturn planets.  On the underside is the name IHVH, again written in Phoenician and colored in gold, around the edge, surrounding a 3 × 3 grid.  I originally was going to have the nine numbers of Saturn etched in here, but my woodburner failed me for good; what I plan to do is draw in a word-sigil on the qamea of Saturn to tune our rituals to a specific need, such as “stability” in times of chaos or “wisdom” when preparing for a ritual.

The reason why I made this planetarily all-inclusive placard, instead of one that just focused on Saturn, is that this would be used for a household shrine for both my use and that of my husband and our housemate.  While I’ve done the Work necessary to simply launch deeply into a planetary energy and come out unscathed, my husband and our housemate haven’t, and even though respecting and honoring Saturn would be good for all of us, there is a notable risk for them to be overloaded by Saturnine energies that could easily overwhelm and devour them.  To that end, I decided to balance out the light of Saturn that we would shine in our house by making a kind of planet-specific Table of Practice that would act to balance out and harmonize all the planets, focusing and building up to Saturn.  Thus, we first light six small candles, one on each of the triangles around the placard, and briefly invoke each planet before lighting the oil lamp for Saturn in the middle, which precedes the rest of our usual offering.

In addition to the crafts above, I also have a three-footed iron censer for burning incense, usually myrrh, placed atop an old Saturn magic square I made, woodburned and painted in gold and black, to the right of the lamp.  I’ve also incorporated and enshrined, in an unseen way not visible from the pictures above, the powerful Saturn talisman I made back in 2011 (almost five years ago to the day, holy crap!).  All this combined, we have a simple yet elegant Saturn shrine that, from the get-go, already brims with dark stellar power.  Over time, we will probably add more talismans, charms, statues, or pieces of Saturnine art, but this is good for now.

We present small glasses of offerings to Saturn: one of pure water, and three small bowls of a dry offering mix made from rock salt, black rice, black gram, and black mustard seeds.  We place these to the left of the oil lamp placard, while we burn incense in the censer.  We then take some time to recite the Orphic Hymn to Saturn (hymn #12), or, if we’re feeling more adventurous, the Picatrix Invocation to Saturn (book III chapter 7, one version as used here for my Saturn talisman consecration).  Alternatively, we might use the Heptameron Conjuration for Saturday or the equivalent from the Munich Manual (see this page) for a more directed purpose rather than a general laudation of Saturn, or we might just be cool and intone the vowel ōmega and offer a more personal prayer to Saturn.  We do this all every Saturday during one of the daytime hours of Saturn, if possible, usually the midday hour, as that’s the time we’re all most likely to do this together.  Barring that, due to scheduling or whatnot, we might do our own thing with a smaller offering.  We let the candles burn out on their own, and we let the oil lamp burning for at least as long or until it starts to sputter.  We let our offerings sit for a whole week, and then clean off the shrine before we make offerings the next Saturday.  We each clean off with our bowl of dry offerings, pour it into the water, and dump the whole thing out into the road.

Besides all these offerings we plan to make weekly and regularly, there’s so much else we can do to honor Saturn in our lives.  Saturn rules over all disabled people, especially those who are crippled, diseased, or handicapped in some way, as well as vagrants, the homeless, and in low social stations and in menial jobs.  Working for their sake, paying them respect, and making donations (especially in groups of three or in amounts of multiples of three) is a good way to get on Saturn’s good side, as well as making fasts in his honor.  It goes without saying that respecting Saturn in our daily lives is also of paramount importance, including not saying disrespectful or joking things about the god.  We still plan to be realistic about his awful, detrimental effects, but we’re not going to blow them out of proportion; Saturn is, after all, the planet of perspective.  Saturn, given the day of Saturday, is also associated with Shabbat and the Jews; observing a set of shabbat-like restrictions regularly is also a way to show one’s devotion to the planet and its spirits.

I’m honestly pleased I was able to set this shrine up, and I’m very happy with how it all turned out.  At the first invocation, I felt that usual Saturnine heaviness seeping into my bones, like wearing multiple heavy Siberian winter coats without the heat, but this time it lingered on the back of my neck and around my ears.  It’s good to finally give Saturn the respect he deserves and has deserved in my life; truly, Saturn now lives in our home, though I specified that this shrine would be set up for three years, with only the possibility of it remaining up longer.  We’ve enshrined Saturn to help facilitate the integration of his energies into our lives during our Saturn return periods, so that Saturn helps us and does not hurt us, so that Saturn gives us succor and not suffering.  He’s still a heavy, grave, serious planet and a malefic no matter what, but he is just as able to give blessing as much as he can dole out curses.  Here’s to hoping we only see his good side, with his bad eye turned and kept turned far away from us.

Do you worship or have a devotional arrangement with Saturn, in any of his incarnations among the world’s religions?  How do you pay your respects to the planet or the spirits associated with it?

On Geomantic Education

To those who follow me on Twitter and Facebook, this will come as no surprise.  I’m finally working on my book on geomancy again.  It’s something that people have been dogging me about for years, and it’s been an on-again-off-again project since 2013.  However, since recently rebuilding my computer and getting all my files back together, I got the bug again to write that book, and good progress is being made again.  At this rate, it’ll be the size of a proper textbook, and my aim is to make it thorough and complete on a level not rivaled since Fludd or az-Zanati.  I’m not going to discount the extremely valuable books put out by John Michael Greer or Stephen Skinner, as I stand on the shoulders of those two living giants with regards to this art, but I aim to put out a text of a different kind.

And yet, despite that this book is (currently) estimated to come out at around 300pp., I can already hear a complaint off in the distance.  My goal is for this book to present a fundamental and thorough exploration of the art of geomancy in such a way that it will start from first principles (what is divination, what are the elements and planets and stars, what are the relationships between these forces and the figures, what are the relationships amongst the figures, how is geomantic “mathematical”, etc.) and go through every major technique I can document in Western geomancy, including variations and specifics of detailed things along the way.  In this sense, I’m following in the same steps as the geomantic authors of yore.  However, there is one major thing that my book does not and will not have that virtually every other book on geomancy has, and while it may frustrate people used to it, I find that it’s something that should never have been written by anyone ever to begin with.

If you haven’t guessed yet, dear reader, it’s lookup tables, those lists of premade answers to particular arrangements of Court figures, figures in the houses, and the like.  It’s these lookup tables (cf. Hartmann, Skinner’s “Oracle of Geomancy”, the Golden Dawn primer on geomancy, etc.) that I believe are a bane to the proper study of geomancy, and I refuse to include them in my work.

Now, I understand why they were written.  For the sake of completion, many authors have endeavored to provide a clear explanation and guide to interpreting each figure in each of the houses; since there are only 16 figures and 12 houses, this is only about 192 small entries.  After all, astrologers have done the same for the planets and parts in the houses for centuries, and they have a lot more to worry about in their texts.  And, for the sake of being reeeaaallly complete, many authors have also included premade interpretations for the different possible combinations of Witnesses and Judge; after all, if the Judge must be an even figure, then that cuts down all pairwise combinations of Witnesses to just 128 different combinations.  Again, not terrible.  For completeness’ sake, and to offer an illustrative guide to the gist of what figures mean for a query, sure, I can see why this was done.

The problem, however, is that many people are not as dedicated to the art when they claim to be its students, and would rather be lazy.  Mass-market publishers, additionally, want things that sell, and will happily cater to the many who would spend a few pence on a text that appeals to them rather than the extraordinary few who would spend more on a text that they need.  I mean, consider how much trash there is out there with the neopagan or pop magic literature; sure, it sells well, and it may very well be a good starting point for those who are serious about their studies.  Hell, even I admit to having a few of Scott Cunningham’s fluffier books somewhere in my library, and it did help me get started back in middle school with learning what magic is and how it works.  That said, if I were to stop there, I’d be putting myself at a great disservice and would never have gotten to where I am today; moreover, if I thought that Cunningham’s style of pop magic spells done on a beach or in the snow was all there was to magic, I’d insult all the magicians and occultists who came before him, not to say the field of magic as a whole.

The problem is that, as time went on in the Renaissance and more and more books were published on geomancy, all they really focused on was the lookup tables.  The techniques were discussed only inasmuch as they enabled you to use the lookup tables; for this, see Franz Hartmann’s book on geomancy as a prime example.  Geomancy became whittled down from this elaborate, profound system of divination that could elegantly answer any subject with extraordinary detail into this…well, the phrase “parlor game” comes to mind, something like Chi-Chi sticks or those little folded paper fortune-teller doodads we all used to make in elementary school.  Even though geomancy was more popular in Europe than Tarot is now, imagine if Tarot were reduced only to using its numbers and suits; it’s effectively playing cards, ignoring different spreads and the qabbalistic symbolism inherent in the art and structure of the Tarot.  That’s what basically became of geomancy towards the end of the Renaissance, and was one of the main contributors to geomancy effectively being lost once the Enlightenment and Industrial Revolution came around.  No, geomancy was not completely forgotten, but it was all but regarded as useless and overly complicated for an answer that usually amounted to little more than “evil, except for bloodletting”.

So much for how the publishing and spread of lookup tables influenced the general perception of geomancy.  However, there’s another part of the problem with relying on these: lookup tables are inherently limited.  Sure, the small number of combinations of figures in houses or Witnesses and Judge is sufficiently limited to offer a good high-level summary in a single text; it’s not the fact that there are only so many combinations in geomancy, but it’s that these summaries cannot be helpful in all circumstances and for all queries.  These interpretations are very general, but also very isolated from other factors in a geomantic chart.  Yes, Fortuna Maior in house IV is a good thing for one’s personal life, but what if we’re asking a query about having an ex-lover move out of our house, and this figure is aspected by opposition, and it’s in company with a negative figure, and the querent has indicated that health issues may be at play?  Fortuna Maior, although a good figure, is sufficiently negated that it becomes stressful and harmful to the querent.  Yet, what can a lookup table say?  Not much, except that the querent will do well and strong in their personal life and home.  That’s all well and good, but the geomancer still has to link that to every other factor present to actually give a useful answer.  Without indicating how, books that stress the importance of lookup tables without teaching how to synthesize these factors gimp the geomancer.

Lookup tables, in effect, cheapen the art of geomancy; it reduces a synthetic, holistic, detailed divination system to a copy-and-paste, abbreviated, vague system of terse and snippy answers.  Because of this, geomancers who rely primarily on lookup tables aren’t really learning how to actually use geomancy beyond following page numbers like a “choose your path” story book.

That’s why my book will not have these lookup tables.  Tables of correspondence that indicate what figures mean in specific contexts?  Absolutely! Detailed interpretations of each figure as they are and how they relate to other figures to explore their own worlds?  You got ’em!  Case studies of geomantic readings that explore each individual factor and technique used for a particular chart, then synthesized together to form a coherent, cohesive narrative?  But of course!  These are all parts of understanding the principles of geomancy from a ground-up approach, so that lookup tables become useless anyway.  By enabling the geomancer to develop their own interpretations through a deep knowledge of each figure, understanding how the figures interact with each other ideally and in particular charts, and giving them the tools to synthesize different parts of a reading, the geomancer will never need to use lookup tables for answers on “will he obtain his love” or “how will the undertaking end”; at a glance, the geomancer will be able to answer these on their own anyway based on their own skill and intuition.

So, if the fact that my book is gonna be around 300 pages and remind you of college, dear reader, don’t worry.  This is not a book to flip through because you want to be lazy.  This is a book to absorb thoroughly because you want to be excellent.

Current Status

So, I haven’t made a post in a while.  I apologize, guys, even though I’m not usually one to do so; this is my blog, after all, and I post when and how I feel like it.

No, I haven’t abandoned you, or my Work, or my spirits.  However, I’ve got a lot going on in my life and certain threads are being weaved in unexpected directions; I had my own designs for the warp and weft of this year, but clearly it’s not turning out the way I expected it to.  It’ll still be beautiful and awesome, though, trust me.  However, in the meantime, my plate is rather full and I’m having to shift my efforts away from the usual and expected to other things.  I may be able to make a post here and there, but don’t expect much and you won’t be disappointed.  Taking on crafting commissions for the foreseeable future is right out; regrettably, I’m unable to take on crafting commissions (including designing) from anyone at least through this summer.  I’m still available for divination readings and consultation sessions, either through Skype or through Etsy, although I’m declining to perform ritual work for others like I am for crafting.

Here’s hoping it’ll be a great 2016 for all of us, both according to our plans and those of the gods who look upon us!