Hermes and the Other Gods in Mathesis

You’d think that, from the past few weeks (months?) on this blog, the only two entities I work with spiritually are Hermes and Saint Cyprian.  A quick glance around my temple room indicates otherwise, of course, and I have healthy and strong relationships with a bevy of angels, theoi, and saints, not to mention the Divine itself.  Still, at least as far as mathesis goes, it seems like the only god I’ve been talking about is Hermes.  After all, we start with the sphaira of Mercury in the Gnosis Schema, and the initiation ritual into mathesis makes Hermes into our guide, if not our salvific figure, in being released from the Agnosis Schema into gnosis.  So what happens with all the other gods?

Well, let’s backtrack a bit and talk about Hermes a bit more.  When I went to the conference on Hermes at UVa this year, I learned quite a bit (see my first, second, and third posts for what was discussed).  One of the things that had struck me was the prevalence of herms, the four-sided pillars with a bust of Hermes at the top and often a phallus on the pillar, in many devotional scenes of work.  No matter the god that was being worshipped, it seems like herms were always present in devotional settings of ritual or sacrifice, as if they were a terminal to interact with the gods.  Given that some of the herms depicted the caduceus or other Hermaic paraphernalia, it’s unclear whether all of these herms are actually Hermes or if there were some non-Hermes herms out there.  I’m unsure either way, but it would make sense if Hermes was each and every herm and, thus, present in each and every rite of sacrifice and worship.  After all, Hermes is the messenger of the gods, but also their interlocutor; he is the one who ferries information between the world of mortals and the world of immortals, as well as sacrifice and praise.  Heck, the Homeric Hymn to Hermes even states that Hermes is the god who invented fire for sacrifice:

…Then, after he had well-fed the loud-bellowing cattle with fodder and driven them into the byre, close-packed and chewing lotus and began to seek the art of fire. He chose a stout laurel branch and trimmed it with the knife ((lacuna)) . . . held firmly in his hand: and the hot smoke rose up. For it was Hermes who first invented fire-sticks and fire. Next he took many dried sticks and piled them thick and plenty in a sunken trench: and flame began to glow, spreading afar the blast of fierce-burning fire.

And while the strength of glorious Hephaestus was beginning to kindle the fire, he dragged out two lowing, horned cows close to the fire; for great strength was with him. He threw them both panting upon their backs on the ground, and rolled them on their sides, bending their necks over, and pierced their vital chord. Then he went on from task to task: first he cut up the rich, fatted meat, and pierced it with wooden spits, and roasted flesh and the honourable chine and the paunch full of dark blood all together. He laid them there upon the ground, and spread out the hides on a rugged rock: and so they are still there many ages afterwards, a long, long time after all this, and are continually. Next glad-hearted Hermes dragged the rich meats he had prepared and put them on a smooth, flat stone, and divided them into twelve portions distributed by lot, making each portion wholly honourable. Then glorious Hermes longed for the sacrificial meat, for the sweet savour wearied him, god though he was; nevertheless his proud heart was not prevailed upon to devour the flesh, although he greatly desired. But he put away the fat and all the flesh in the high-roofed byre, placing them high up to be a token of his youthful theft. And after that he gathered dry sticks and utterly destroyed with fire all the hoofs and all the heads.

Add to the fact that Hermes is instrumental in sacrifice, Hermes was often known as almighty or παντοκρατωρ, “all-ruling”.  Sometimes this word was used to flatter a god being praised, but in Hermes, this isn’t too terrible a description.  The thing about Hermes is that, even though we know he is the god of messengers and of trade and this and that, Hermes is not just any of those things.  To be fair, no god is just one thing or another, but Hermes is especially the jack of all trades because he had no one sphere of influence; he was involved in everything.  This is why it’s surprising that it’s uncommon to find actual temples, or τεμενοι, dedicated to Hermes, not to mention a scarcity of cults that were often given regularly to all the other gods.  I mentioned this when a particular theme of talks dawned on me during the second day of the Hermes conference, that in working with Hermes, we gain the ability to approach and interact with all the other gods:

Hermes, although an Olympian, is certainly not among the important ones, but he’s still a vital god to work with and crucial in day-to-day living.  Hermes has no temple, because he’s in every temple; he has no rites, because he’s in all rites; he has no expertise, because he’s an expert in everything.  Hermes is the go-between that leads us on in anything and everything; he is the road between destinations, but is not the destinations themselves.  He only leads us along the roads, but the road is where we spend most of our lives and times.  The presence of Hermes is required by man to work with any god, and is required to communicate to man from the gods.

However, just as Hermes is god of the roads, he’s also the god of opening the roads, which is essentially what the ritual of mathetic initiation is about: opening the path to the Gnosis Schema from the Agnosis Schema, and proceeding onward from there.  This is fitting, because Hermes has told me that he will not lead me into the sphairai themselves, only along the odoi.  I have a few inklings here and there as to why that might be, but if we consider each sphaira to be a destination, an abode, then chances are it’s where a given divinity or family dwells.  They’re not places of exchange or trade, that’s for sure, else Hermes’d be all up in there.  It’s not a theater, either, since Hermes was often found in plays and can be considered a god of both comedic drama and cajoling song.  The sphairai are places of rest or respite, a pause where we must make the choice to leave, picking up the path again when we contact Hermes to get back on the road.

So, either we don’t need guidance in the sphairai themselves, or we do and Hermes simply isn’t going to be it for us.  It would logically follow that another entity would step in at that point, and to logically follow that, it’d be the other gods.  We only ever work with Hermes on the odoi of the Tetractys, never in the sphairai, and this includes the sphaira of Mercury (even to my own confusion).  Thus, although Hermes is a crucial figure in mathesis, helping us out during times of transition (which is where most of the work is focused), he is of necessity not the only one we work with.  Instead of considering the sphairai the destinations and the odoi the transitions, we might consider the sphairai to be transitions or changes in direction between the individual odoi.  After all, if each of the odoi on the Gnosis Schema is marked by a letter associated with a zodiac sign, then the sphairai are the cusps of the signs, the thresholds between the last degree of one sign and the first degree of the next.

Given this solar image, it makes me wonder whether the sphairai are intimately connected to the god Apollo in a way I hadn’t considered before.  After all, it would tie in with what Hermes said before about not entering into the sphairai themselves.  If Hermes is the god who can literally go anywhere, then why on earth wouldn’t he go to a particular place, and what would that place be?  Hermes himself tells us in the Homeric Hymn again:

Then the son of Leto said to Hermes: “Son of Maia, guide and cunning one, I fear you may steal form me the lyre and my curved bow together; for you have an office from Zeus, to establish deeds of barter amongst men throughout the fruitful earth. Now if you would only swear me the great oath of the gods, either by nodding your head, or by the potent water of Styx, you would do all that can please and ease my heart.”

Then Maia’s son nodded his head and promised that he would never steal anything of all the Far-shooter possessed, and would never go near his strong house; but Apollo, son of Leto, swore to be fellow and friend to Hermes, vowing that he would love no other among the immortals, neither god nor man sprung from Zeus, better than Hermes: and the Father sent forth an eagle in confirmation.

Hermes does not enter the house of Apollo.  Apollo is associated with the Sun, and the sphairai are the cusps, the thresholds, the stations of the Sun as it progresses through the zodiacal odoi.  Apollo, further, is the Μουσηγετης, Muse-leader, the head of the nine Muses.  Together, Apollo and the Muses are ten deities, perhaps one for each sphaira of the Tetractys.  So who are the nine Muses?

  • Kalliopē (“Beautiful Voice”), muse of epic poetry
  • Kleiō (“Make Famous”), muse of history
  • Eratō (“Lovely”), muse of lyric poetry
  • Melpomenē (“Celebrate with Song”), muse of tragic drama
  • Ūraniē (“Heavenly”), muse of astronomy and astrology
  • Polyhymnia (“Many Hymns”), muse of hymns and devotional speech
  • Euterpē (“Giving Much Delight”), muse of song and elegaic poetry
  • Terpsikhorē (“Delighting in Dance”), muse of dance
  • Thaleia (“Blooming”), muse of comedic drama

And if I had to guess off the top of my head which deity goes with which sphaira:

  • Monad: Apollo (leader of the Muses and source of art)
  • Light: Ūraniē (dance of celestial bodies)
  • Darkness: Terpsikhorē (dance of terrestrial bodies)
  • Sulfur: Kalliopē (poetry of action)
  • Mercury: Euterpē (poetry generally of all types)
  • Salt: Eratō (poetry of affection)
  • Fire: Polyhymnia (godly works)
  • Air: Thaleia (joyful works)
  • Water: Melpomenē (sorrowful works)
  • Earth: Kleiō (factual works)

Of course, this is a fairly late list of Muses and their attributes, but it’s an idea all the same.  Even if this little path of association leads us nowhere, it does show that the Tetractys is full of gods, not just of the individual zodiac signs but of everything.  The Tetractys, after all, is the “enformer of gods and men” and present in us all, so why not all of us within it?  I’m sure, over time, a more coherent theogony and theology of the Tetractys and mathesis will come together, and it’s still really early in the game to determine who goes where or what sphaira means what power more specifically than “salt” or “fire”.  I can definitely say, however, that mathesis will lead us to work, in at least some respect, all the gods of this world.

After all, “this world” is the world below Olympos, the cosmos under the rule and sight of the gods.  Every city, every forest, every river, every stone, every person is presided over by a god big or small.  By traveling the paths on the Tetractys, we come to be exposed to all parts of the cosmos, not just the parts that humans live in; we live in only one part of the world, though we have the ability (with practice and the blessing of Logos and Nous and all that good stuff) to go anywhere and everywhere.  In mathesis, that’s quite the point; we need to do that, instead of just getting stuck in a the fraction of the cosmos we know as the human world.  It is only by becoming all that we can become, knowing all that we can know, going all where we can go, and doing all we can do that we experience everything and in every way.

And while it’d be hubristic of me to say that we can conquer the world, we can certainly become unified with it and, while not escaping it (for who can escape the All?), we can certainly come to the All and be with it.  Note that I’m saying the All, and not the One or the Monad; these are generally the same concept and used interchangeably in philosophy, but it’s a slightly different nuance I’m using here.  Consider the Tetractys as a mountain, with the peak at the top.  This mountain is that of Olympus, the center of all divine activity and from which all rules, edicts, and cosmic decisions are made.  By ascending and descending Olympus, we come to know the gods and interact with them (assuming they allow us and they allow Hermes to guide us, lest we get struck by lightning on the way).  However, it is only by integrating all of them into ourselves, and by them all of the cosmos, that we can live in perfect accordance with them even when they themselves conflict.  After all, the Dyad isn’t just two Monads acting independently, but it’s the relationship between them that makes them into a Dyad.  Likewise, we should aim for acting as that which makes the ten monads of the Tetractys into a Decad, a complete whole, and nothing less.

Personally, this is starting to sound like a weird mix of Stoicism, Hermeticism, Buddhism, and Taoism.  Let’s see how it’ll turn out.

Pictures from the Day After the Feast

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Hail, Saint Cyprian of Antioch: mage, martyr, mystic; theurge, thaumaturge, theophoros; saint, sorcerer, sage!  Pray for us who are alive and dead, now and at the hour of our death.  Through Jesus Christ our Lord, amen.

Now I need so much sleep.

Meditation Exercise on the Tetractys

I’m sure most of us have heard, at least at one point when we were growing up, that when we’re angry and about to fly off the handle, that we should calm down before we act rashly.  One common way to cool off when we’re emotionally heated is to count to ten: take a deep breath, count from 1 to 2 to 3 all the way up to 10, then breathe deeply again, and by that point we should have calmed down enough to act at least a little more rationally and reasonably instead of like the geomantic figure Puer on caffeine.  Turns out that this little counting trick is good for other things, too, and I’ve adopted it as a basis for a short but powerful mathetic meditation exercise.  We’ve already described at least one method of mathetic meditation before by meditating on the letters by means of sound and by means of symbol, and we’ve alluded to meditating on the structure of the Tetractys, but now I’d like to make that latter part more specific.

First, let’s talk about breathing.  Breathing is the ultimate means of meditation for the vast majority of us: by simple awareness of breathing, we calm the mind, we cool the body down, and we take control of our spirit for deeper contemplation.  It’s hard to overestimate the full power of the breath, since with the breath we control our bodies and selves in a deep way; Jason Miller even says that a magician who can’t control their breath is no magician at all.  What I like to use as the basis for breathing in meditation is something that’s called the fourfold breath.  While sitting with the back straight but relaxed, such as in a chair, lotus position, or seiza position, close or relax the eyes and proceed with the following:

  1. Exhale completely, breathing out from your center.  This is the preliminary emptying breath; it might help to make a soft popping noise with the mouth (“peh peh peh peh peh”) to completely empty the lungs.
  2. Inhale into the center deeply, filling your lungs from the bottom up.  Count to four at a slow and natural rhythm.
  3. Hold the breath without closing the throat.  Count to four.
  4. Exhale completely, emptying your lungs from the top down from your center.  Count to four.
  5. Hold the lungs empty without closing the throat.  Count to four.
  6. Repeat from #1 as necessary.

This is the basis of the fourfold breath that other authors, such as John Michael Greer and Jason Miller, have used in their meditative and contemplative work, and I’ve used it before in my meditations on the geomantic figures as well as for devotional meditations using the Trisagion prayer.  It’s a great way to start off any meditation session, and a great meditative tool in its own right which can lead to deep insights, if not complete enlightenment a la the vipassana tradition in Buddhism.  Before proceeding with the actual mathetic meditation below, give this a try for a few sessions lasting at least five minutes each.

Once you’ve got the hang of this simple breathing meditation, let’s proceed with the actual meditation exercise.  When you’re relaxed and rested, recite an old Pythagorean prayer called the Invocation of the Tetractys.  I plan to use this prayer before any mathetic exercise, so it’s a good and short prayer to memorize and keep handy for all such meditations.  I’ve adapted the prayer from an older form, and the one I use is this:

Bless us, divine Number, you who enform gods and men!  O holy, holy Tetractys, you who contain the root and the source of all eternal and eternally flowing creation! For the divine Number begins with the profound, pure Monad until it comes to the holy Tetrad, then it begets the mother of all, the all-comprising, all-bounding, first-born, never-swerving, never-tiring, holy Decad, the keyholder of all!

Perform ten fourfold breaths as above to calm the mind and settle the body and spirit.  Next, perform another ten fourfold breaths, but this time we’re going to do something different on the exhale:

  1. On the first breath, intone the number “One” in your native language, breathing out from your center (or vibrate it, if you’re into that).  Visualize a single point in your mind and hold the image.
  2. On the second breath, intone the number “Two”, breathing out as above.  Visualize a second point beneath and to the left of the first with a single path linking the two.  Hold the image.
  3. On the third breath, intone the number “Three”, breathing out as above.  Visualize a third point to the right of the second, with two new paths linking this third point to the prior two.  Hold the image.
  4. On the fourth breath, intone the number “Four”, breathing out as above.  Visualize a fourth point beneath and to the left of the second, with two new paths linking this fourth point to the second and third points.  Hold the image.
  5. On the fifth breath, intone the number “Five”, breathing out as above.  Visualize a fifth point to the right of the fourth, with two new paths linking this fifth point to the fourth, second, and third points.  Hold the image.
  6. On the sixth breath, intone the number “Six”, breathing out as above.  Visualize a sixth point to the right of the fifth, with three new paths linking this sixth point to the fifth, second, and third.  Hold the image.
  7. On the seventh breath, intone the number “Seven”, breathing out as above.  Visualize a seventh point beneath and to the left of the fourth, with one new path linking this seventh point to the fifth point.  Hold the image.
  8. On the eighth breath, intone the number “Eight”, breathing out as above.  Visualize a eighth point to the right of the seventh, with five new paths linking this third point to the seventh, fourth, second, fifth, and sixth points.  Hold the image.
  9. On the ninth breath, intone the number “Nine”, breathing out as above.  Visualize a ninth point to the right of the eighth, with five new paths linking this third point to the eighth, fourth, fifth, third, and sixth points.  Hold the image.
  10. On the tenth breath, intone the number “Ten”, breathing out as above.  Visualize a tenth point to the right of the ninth, with two new paths linking this third point to the ninth and sixth points.  Hold the image.

So, each breath is associated with a particular stage of construction of the Tetractys of Life, proceeding in the order of the images below:

In your mind, you’ll’ve constructed the structure of the Tetractys of Life, all ten sphairai with all 24 paths between them.  After the ten constructing breaths, perform another ten fourfold breaths intoning nothing, just holding the image of the Tetractys in your mind, letting yourself become absorbed in its structure.  Once the tenth breath is complete, perform one last fourfold breath.  On this last breath, let the image dissolve into your breath on the inhale, disseminating throughout your body on the exhale, and exhaling a clean, pure breath at the end.  The meditation is complete.

I like the idea of using one’s own native language to count; it’s a linguistic curiosity that thinking of numbers and using them in speech takes place in a different part of the brain than other types of prose or poesy, and it’s a mark of innate fluency when you can instinctively count in a different language other than your native one.  In using your native language’s words for the numbers, the meditation becomes a little easier on the mind and makes the whole experience more natural and intuitive.  However, if you want to be a little more mystical, you could also use “Monad”, “Dyad”, “Triad”, “Tetrad”, and so on up to “Decad”, so it’s up to you.  I prefer the use of the simple native counting numbers, personally.

Now, the above meditation process is fairly straightforward, and I find it good for people who haven’t yet gone through the ritual of initiation into mathesis, a kind of “outsider” meditation that anyone can use who may want to begin work with the Tetractys.  It’s simple and clean, and it works.  However, I don’t particularly care for the order of how we visualize the sphairai above, since it feels a little awkward, especially in light of how we traverse the paths on the Gnosis Schema of the Tetractys, so more advanced mathetists may want to try a slightly different visualization.  The process is overall the same and starts off with the Invocation of the Tetractys and the initial ten breaths, but there are a few changes once we get to the construction breaths, where we use twelve breaths instead of ten:

  1. On the first breath, intone the number “One”, breathing out from your center.  Visualize a single point in your mind and hold the image.
  2. On the second breath, intone nothing.  Hold the image.
  3. On the third breath, intone the number “Two”, breathing out as above.  Visualize a second point beneath and to the right of the first with a single path linking the two.  Hold the image.
  4. On the fourth breath, intone the number “Three”, breathing out as above.  Visualize a third point to the right of the second with a single path linking this to the second point.  Hold the image.
  5. On the fifth breath, intone the number “Four”, breathing out as above.  Visualize a fourth point to the right of the first with three paths connecting this to the first, second, and third points. Hold the image.
  6. On the sixth breath, intone nothing.  Hold the image.
  7. On the seventh breath, intone the number “Five”, breathing out as above.  Visualize a fifth point to the left of the first with two paths connecting this to the first and second points. Hold the image.
  8. On the eighth breath, intone the number “Six”, breathing out as above.  Visualize a sixth point beneath and to the left of the fifth with a single path connecting this to the fifth. Hold the image.
  9. On the ninth breath, intone the number “Seven”, breathing out as above.  Visualize a seventh point between the sixth and second points with five paths connecting this to the sixth, fifth, first, fourth, and second points. Hold the image.
  10. On the tenth breath, intone nothing.  Hold the image.
  11. On the eleventh breath, intone the number “Eight”, breathing out as above.  Visualize a eighth point above and to the right of the first with four paths connecting this to the fifth, first, second, and fourth points. Hold the image.
  12. On the twelfth breath, intone the number “Nine”, breathing out as above.  Visualize a ninth point above and to the left of the eighth with a single path connecting this to the eighth point. Hold the image.
  13. On the thirteenth breath, intone the number “Ten”, breathing out as above.  Visualize a tenth point to the left of the eighth point with six paths connecting this to the ninth, eighth, fourth, fifth, seventh, and fifth points. Hold the image.
  14. On the fourteenth breath, intone nothing.  Hold the image.

Although we have ten points to construct as before, there are twelve stages total in the Gnosis Schema, where we cross over the central sphaira of Mercury multiple times.  Once we complete a system of three points on the Tetractys around the sphaira of Mercury, we return to the central sphaira and prepare ourselves for the next system.  Thus, once we complete a system and return to the first central sphaira of Mercury, we spend an extra breath just focusing on what we’ve constructed so far.  After this, we do another ten fourfold breaths to hold the whole completed Tetractys of Life in mind, dissolving the image on a final, eleventh breath.

I think this meditation exercise, the latter Gnostic Schema form of which I used during the ten days of my ritual of self-initiation, helps in developing an intuitive and innate understanding of the Tetractys, or at least plants a seed for the further growth of which as one develops in the study and practice of mathesis.  With the Gnosis Schema variant of the meditation, it’s interesting to see how the paths develop along with the sphairai, which itself can help one with seeing how the Gnosis Schema develops a full understanding based on earlier foundations of practice as one traverses the Tetractys in this manner.  It can help to use this meditation before any work in mathesis as a preliminary preparation, perhaps starting not with the sphaira of Mercury but the sphaira one is currently “at”, such as if one has progressed to the sphaira of Salt, one begins with constructing the Tetractys there and proceeding to the “second” sphaira of Earth, then the “third” sphaira of Water, and so forth, again pausing whenever one reaches the sphaira of Mercury.  One can further enhance this meditation by adding on the letters, numbers, and stoicheia of the paths into the meditation, perhaps spending another breath per each path that develops as one constructs a new sphaira in the visualization.

Litany of Saint Cyprian, Saint Justina, and Saint Theocistus

As you might be aware, dear reader, today is the Feast of Saint Cyprian of Antioch.  As you also might be aware, I’m having a party later tonight in his honor, and besides getting a bunch of my friends and colleagues together to drink and have a good time, I also plan on honoring the good saint by having people who may not work with him a starting point for asking for his blessings by having a large public altar set up to him where people can write petitions out and the like.  Towards the end of the party (or, simply put, around midnight, depending on how late people want to stay and drink), I’ll lead a communal prayer for all of us to ask for the good saint’s blessings in our lives and formally give him all our petitions by burning them with a bit of his oil and some rum.  (Gotta have at least some flair for the dramatic in my parties, after all.)

Thinking about what I might do for the communal prayer, however, led me to inspect some of the prayers and rituals to Saint Cyprian that I’ve been collecting.  My Chaplet of Saint Cyprian of Antioch is nice, though the repetitions of the Glory Be and the like might not be to everyone’s taste.  However, I realize that the structure and wording of my chaplet is very similar to other Catholic prayers, notably the litany.  A litany is a series of successive supplications made to a saint or holy figure, and I’ve used several for the angels and archangels before in my work (especially the Litany of the Holy Archangels by Rev. Dn. Michael Strojan).  In that light, I rethought the use of my chaplet and decided to rewrite it and format it as a Catholic-style litany, complete with the usual prayers at the beginning and an oremus (“let us pray”) at the end.  However, I also decided to add on a bit to the prayer, since today is also technically the feast day of two other saints who are closely associated with Saint Cyprian of Antioch:

  • Saint Justina, the Christian girl whom Cyprian tried to get to fall in love with Aglaias.  She stood steadfast in the face of all of Cyprian’s magic, however, and warded off every attack from him, all his demons, and the Devil himself by making the sign of the Cross and through constant prayer and fasting.  Once she got word of Cyprian’s conversion, she rejoiced and made many charitable gifts across Antioch (which really needed it after Cyprian kinda blew it up), and eventually became a friend to Cyprian in Christ.  Once Cyprian became priest, he made her a deaconess; once he became bishop, he elevated her to an abbess in charge of a convent.  They were both tortured together, however, and eventually executed together by beheading.  Many Orthodox icons of Saint Cyprian also feature Saint Justina.
  • Saint Theocistus was a Roman, sometimes known as a soldier, who was present at the execution of Saint Cyprian and Saint Justina.  He saw how these two saints were being tortured even though they were innocent, and despite all the measures the Romans used against them, nothing actually hurt them save the beheading themselves by the grace of God.  At the beheading of the saints, Theocistus had a change of heart and proclaimed his faith in Christ, kissing the feet of the body of Cyprian.  However, he did this in the presence of the officials who had just executed Cyprian and Justina, and so also was condemned and executed on the spot for his conversion.

Saint Theocistus, of course, is a relatively minor figure compared to Saint Justina, and she’s a relatively minor figure compared to Saint Cyprian, and since Saint Cyprian isn’t really considered by the Catholic Church to be a saint anymore, none of these three make their rosters.  However, the Orthodox Church still venerates them all, and gives them all the same feast day (though they use October 2 instead of September 26).  I figured it was fitting to write a litany for Saint Cyprian that also included sections for Saint Justina and Saint Theocistus, so following the usual format of the litany, here’s what I wrote.  Yes, it’s basically a standard Christian prayer, so if you’re not on good terms with Christianity, you may not find it worthwhile, but then again, you probably wouldn’t be working with a Christian saint anyway.

First, before the litany proper, it’s usual to make a common supplication to God.  The litany is usually led by a priest; his parts are said in upright typeface, while the parts of the congregation are in italics.  When doing the litany alone, however, one prays all parts.  The beginning supplication:

God, come to my assistance.  Lord, make speed to save us.
Glory be to the Father and to the Son, and to the Holy Spirit.  As it was in the beginning, is now and ever shall be, world without end.
Amen.

The litany proper:

Lord, have mercy on us.  Lord, have mercy on us.
Christ, have mercy on us.  Christ, have mercy on us.
Lord, have mercy on us.  Lord, have mercy on us.
Christ, hear us.  Christ, hear us.
Christ, graciously hear us.  Christ, graciously hear us.

God the Father of Heaven, have mercy on us.
God the Son, Redeemer of the world, have mercy on us.
God the Holy Spirit, have mercy on us.
Holy Trinity, One God, have mercy on us.

Holy Mary, pray for us.
Holy Mother of God, pray for us.
Holy Virgin of virgins, pray for us.

Saint Cyprian, born to pagan parents, pray for us.
Saint Cyprian, dedicated to the god Apollo as a child, pray for us.
Saint Cyprian, taught sorcery in Olympos, pray for us.
Saint Cyprian, taught illusion in Argos, pray for us.
Saint Cyprian, taught witchcraft in Tauropolis, pray for us.
Saint Cyprian, taught necromancy in Sparta, pray for us.
Saint Cyprian, taught enchantment in Memphis, pray for us.
Saint Cyprian, taught astrology in Chaldaea, pray for us.
Saint Cyprian, master of all the occult arts, pray for us.
Saint Cyprian, magus residing in Antioch, pray for us.
Saint Cyprian, approached by Aglaias to seduce Justina, pray for us.
Saint Cyprian, unleashing demons of lust upon Justina, pray for us.
Saint Cyprian, unleashing demons of deception upon Justina, pray for us.
Saint Cyprian, unleashing the Devil himself upon Justina, pray for us.
Saint Cyprian, wringing disaster on Antioch against Justina, pray for us.
Saint Cyprian, casting deadly illness upon Justina, pray for us.
Saint Cyprian, all magic defeated by the prayers of Justina, pray for us.
Saint Cyprian, seeing Truth and rebuking the Devil and his snares, pray for us.
Saint Cyprian, burning his books in sacrifice to God, pray for us.
Saint Cyprian, confessing repentantly for his sins before all Antioch, pray for us.
Saint Cyprian, baptized in the name of the Blessed Trinity, pray for us.
Saint Cyprian, made priest within a year by his zeal for holiness, pray for us.
Saint Cyprian, made bishop to lead all to divine virtue, pray for us.
Saint Cyprian, condemned to death by the Romans, pray for us.
Saint Cyprian, beheaded and departed into Heaven, pray for us.
Saint Cyprian, entering into the communion of the holy saints, pray for us.
Saint Cyprian, preserving us from all evil arts and acts, pray for us.

Saint Justina, virtuous maiden, pray for us.
Saint Justina, chased after by the world, pray for us.
Saint Justina, pursued by demons, pray for us.
Saint Justina, defending herself by the sign of the Holy Cross, pray for us.
Saint Justina, celebrating at the conversion of Cyprian, pray for us.
Saint Justina, gracious friend to Cyprian, pray for us.
Saint Justina, made abbess by Cyprian, pray for us.
Saint Justina, slandered by the Romans with Cyprian, pray for us.
Saint Justina, becoming a martyr in Christ with Cyprian, pray for us.

Saint Theocistus, soldier of the Romans, pray for us.
Saint Theocistus, turning his heart to Christ, pray for us.
Saint Theocistus, witnessing the execution of Cyprian and Justina, pray for us.
Saint Theocistus, kissing the corpse of the martyrs Cyprian and Justina, pray for us.
Saint Theocistus, declaring his faith in Jesus Christ because of Cyprian and Justina, pray for us.
Saint Theocistus, executed for his forsaking of the world, pray for us.
Saint Theocistus, ennobled for his conversion to God, pray for us.

Lamb of God, who takest away the sins of the world, spare us, O Lord.
Lamb of God, who takest away the sins of the world, graciously hear us, O Lord.
Lamb of God, who takest away the sins of the world, have mercy on us.
Christ, hear us.  Christ, hear us.
Christ, graciously hear us.  Christ, graciously hear us.

Pray for us, Saint Cyprian, Saint Justina, and Saint Theocistus, that we may be made worthy of the promises of Christ.

Let us pray:
O God, who sent the Holy Spirit to preserve Saint Cyprian from darkness even while he dwelt within its midst, grant in your mercy that you enlighten us and inspire us.  May that the life and martyrdom of Saint Cyprian teach us to abandon wickedness, heal us to be free of sin, and bless us through Jesus Christ + to walk in the light of truth.  By the intercession of Saint Cyprian, Saint Justina, and Saint Theocistus, lead us to a true conversion of heart that we may use both our hands and all our power in service and sacrifice to Your Presence, through Jesus Christ our Lord.

Amen.

May you all have a blessed Feast of Saint Cyprian, and may he with his saintly companions smile upon you and intercede for you in all your prayers!  Hail, holy Saint Cyprian of Antioch: mage, mystic, and martyr ; sorcerer, sage, and saint; theurge, thaumaturge, and theophoros!  Together with Saint Justina and Saint Theocistus, pray for us, now and at the hour of our death.  Amen.