A Devotional Prayer

A devotional prayer I was inspired to write one morning recently.  I ended up using some of the formulas below in my freeform devotional or contemplational prayers to the Almighty Source, but honestly it can be redirected to any god in the right context, if appropriate.  Just thought I’d share.

Blessed are you, who grant good things, in time of hardship and in time of prosperity.
Blessed are you, who guide, lead, protect, and shelter us who follow.
Blessed are you, who illumine, enlighten, empower, and free, light in darkness and darkness in light.
Blessed are you, who as One are All and within whom are All as One.

May every idea be thought for you!
May every word be spoken for you!
May every letter be written for you!
May every emotion be felt for you!
May every motion be moved for you!
May every path be walked for you!
May every action be made for you!

Problems with “-mancy”

I have no shame in admitting that I’m a stickler for being correct, whether it’s understanding the full import or something or getting something right on a technicality (no better lie than a half-truth, after all).  This is especially prominent when it comes to the precise meanings of words, where I go by a combination of looking at a word’s meaning, both prescriptive (what it’s authoritatively supposed to mean), descriptive (how people actually mean it in usage), and historical (how the word developed through etymology).  Past posts of mine have used this technique, especially involving different names for rituals.  After all, if you’re going to wax authoritatively on what something should be called, you should at least have the decency of both doing it right and being right.

Probably the most ill-understood suffix or root in modern magic usage is the word “manteia”, from Greek meaning “sight”.  Manteia referred to, historically, any method of obtaining knowledge or communication via occult means, or divination.  Because Greek shares a trait of agglutinating words onto other words to make a more nuanced concept, the word “manteia” was affixed onto any other word that indicated the method of divination.  Many of these words survive in English or are easily Anglicized: pyromancy for “divination with fire”, geomancy for “divination with earth”, grammatomancy for “divination with letters”, necromancy (originally nekuomancy) with “divination with the dead”.  The prefix to “-mancy” here just denoted the vague notion of how the divination was performed; consider geomancy, which though literally might imply crystals or scrying using patterns of dirt or earth, actually indicates the use of a particular set of figures that were originally drawn in earth or sand.  A more nuanced word isn’t necessary, since words are just labels after all, although I’m sure 15-part words could easily be constructed that would clearly delineate the method of divination within that very word.  For reasons of convenience, this just isn’t done, except for comedic relief.

Of course, the suffix “-mancy” nowadays refers to any number of things that simply aren’t divination.  I consider this partially the fault of a lot of role playing games that try to be fancy with their names, calling the ability to set fire with the mind “pyromancy” or conjuring water elementals “hydromancy”.  This type of naming (which might more appropriately use “-magy” or “-kinesis) is still wrong, though I can’t blame modern gamers alone in this.  Consider that ancient art of necromancy, the ability to commune with the dead.  In order to do such a thing and get knowledge from the dead, one has to first find ways of opening up a channel of communication with the dead and “raise” them, so to speak.  This was recognized in ancient times as it was in medieval, Renaissance, and modern times, and requires no small skill in other magical practices to get started.  Indeed, necromancy was one of the explicitly proscribed arts in the Inquisition and by the Church for centuries (still is, even), but the art as a whole was practiced with the intent and goal of obtaining information from the dead.  The rest of the show was mere gimmickry and ritual for the sake of obtaining information, holy or infernal as it might be.

In fact, a lot of misattribution of magic to “-mancy” can be lead at the feet of people in medieval/Renaissance Europe who didn’t fully grasp the meaning or point of having a divination system named using “-mancy” (or “-mantia” if they were writing in Latin).  Consider my biggest pet peeve with geomancy, which is when people confuse it with feng shui.  The distinction between a divination system using earth-originating symbols and propitious interior/landscape designing is pretty damn big, especially considering the massive theological, philosophical, and cultural gulfs between the two arts.  However, when European missionaries and tourists went to China and Korea and found local holy men or teachers practicing feng shui, they thought they were doing some kind of funky earth magic, and since the missionaries were (at least officially) forbidden from learning actual magic or the distinctions between different magical practices, they thought “geomancy” was a proper word to translate as feng shui because “why not, they sound similar, let’s just go with that”.  And, from that standpoint, modern New Agers thought “geomancy” could also be applied to the study of sacred geography and ley lines, which is also wrong and even more different from the original divinatory art than feng shui was.

If, dear reader, you insist on either using a “-mancy” word to describe a magical practice, make sure it follows these two simple rules: you’re actually referring to a method of divination and not some other kind of magical, sacred, or philosophical practice, and that you’re prefixing “-mancy” with the core tool or method by which you plan to do that divination.  For instance, if you want to use a fancy word to describe Tarot divination, say “cartomancy”, meaning “divination by cards” (which is what Tarot essentially is).  As a rule, the more generic the word you’re using to describe the method, the better; you don’t need to say “taromancy” because that’s stupid and sounds like you’re divining using taro roots instead, especially when people who use other oracle decks or even do old-fashioned playing card divination fit into the same general field and method that you do.  Similarly, if you’re reading runes, you might go with “grammatomancy”, which is broad enough to cover any method of divination that reads letters; if you’re using whole words (in one way or another), you might use “logomancy”; if using books, “bibliomancy”, and so forth.  If there’s another word entirely that better describes your divination system (such as “haruspicy” for reading intestines, or another culturally-appropriate term for a different system like ifa), use that instead.  Also, try to stick to using Greek prefixes or Latinate prefixes with clear Greek origins: say “arithmancy” for divination using numerology instead of “numbermancy” or “digitomancy”.  And be sure the word you’re using actually means something; using “alphamancy” to refer to a method of divination involving the random generation of words from alphabetic tiles is cute but doesn’t actually mean anything, lest you want to use varying positions of the letter A to indicate meaning.

In the end, just be right about what you want to label your shit, because don’t nobody wanna get confused anymore.  Ain’t nobody got time for that.

Elemental Rulers of the Geomantic Figures

As I’ve probably mentioned before around here, the geomantic figures are interesting little symbols in the occult that are composed of four lines, with each line representing one of the four classical elements: Fire, Air, Water, and Earth.  Each line can have either one or two dots, with one dot indicating an active element and two dots indicating a passive element.  Thus, the geomantic figures can be seen as alchemical equations, representing a different blend of forces required to represent or reflect a particular state of the cosmos at any given time.  The top row is given to Fire, the second row to Air, the third row to Water, and the bottom row to Earth, the same order as the perceived “density” as the elements, with Fire being the lightest and Earth being the heaviest.  Nifty things, these geomantic figures.

While the figures are composed of up to four elements, each figure also has a ruling element, which is the element the figure is most strongly associated with.  Generally speaking, the elemental rulership of a figure is indicated by its structure: with the exception of Populus (which has no lines/elements active), the elemental ruler of a geomantic figure is always one of the active elements within those figures.

So, consider the geomantic figures Laetitia, Rubeus, Albus, and Tristitia.  Each of these figures have only one line active with the others passive; Laetitia has only Fire active, Rubeus has only Air active, Albus has only Water active, and Tristitia has only Earth active.  As such, these elements are the rulers of their respective figures, since they’re the only elements active in those figures.  The other figures are assigned in similar way based on their divinatory meaning:

  • Fire: Laetitia, Cauda Draconis, Fortuna Minor, Amissio
  • Air: Rubeus, Puer, Coniunctio, Acquisitio
  • Water: Albus, Puella, Via, Populus
  • Earth: Tristitia, Caput Draconis, Carcer, Fortuna Maior

Note that Laetitia and Cauda Draconis are converse figures (the reverse of the inverse of the figure), as are Rubeus and Puer, Albus and Puella, and Tristitia and Caput Draconis; these odd pairs are similar in their meanings or temperament, and also preserve the elemental rulership based on their structures.  Amissio and Fortuna Minor are given to Fire due to their temperament, as are the other even figures to their elements.  Populus is the only odd one out, since it has no elements active, but is given to Water with its inverse figure Via.

So far, so good; most of the traditional sources that mention elemental rulers at all (independent of the zodiacal or planetary rulerships) are in agreement.  However, it’s unclear whether each of the four figures within these four groups has another elemental affinity based on a similar system.  After all, we already applied the same system one time to the figures as a whole, so why not apply it to the figures in their elemental groupings?

I got the idea for this based on a reply to Andrew’s comment before, where he was working on a set of geomantic mandalas organized by element.  Ordering the figures by element seems to be a good idea, but he didn’t seem to like any of the arrangements of the figures within their groups.  So, I figured to come up with a subelemental rulership kind of system which could help order the figures.  In effect, we’d have an ordering that goes first by a figure’s primary elemental ruler, then their secondary elemental or subelemental ruler: Fire/Fire, Fire/Air, Fire/Water, Fire/Earth, Air/Fire, and so forth to Earth/Earth.

With that in mind, here’s my schema for assigning elemental and subelemental rulers to the figures:

  • Fire
    • Fire: Laetitia.  Pure fire, no other elements involved.
    • Air: Fortuna Minor.  Fire with Air.  The smoothest and most beneficial figure of Fire, which requires communication and interaction with other people.
    • Water: Amissio.  Fire with Water.  The most emotional and volatile of the Fire-ruled figures.
    • Earth: Cauda Draconis.  Fire, Air, and Water without Earth.  although Earth is not present in Cauda Draconis, it is the only reasonable leftover.  Plus, in Hebrew occultism, earth is the element that results from combining fire, air, and water.
  • Air
    • Fire: Puer.  Air with Earth and Fire.  Being Martian and associated with Aries in any of the major zodiacal attribution systems, this seems fairly straightforward.
    • Air: Rubeus.  Pure air, no other elements involved.
    • Water: Coniunctio.  Air with Water.  Communication and interaction on all levels, emotional and mental.
    • Earth: Acquisitio.  Air with Earth.  The most grounded and material of the Air figures.
  • Water
    • Fire: Puella.  Water with Fire and Earth.  The most outgoing of the Water figures (which isn’t saying much), Puella is the only one that has a will and plan of its own, receptive though it may be.  Plus, its Water/Fire mix mirrors the Fire/Water mix of Amissio, the other Venus-ruled figure.
    • Air: Via.  All elements active.  The most fluid and dynamic of the Water signs, the road is also an image of communication, travel, and trade, which are all airy things.  Plus, it mirrors the Air/Water mix of Coniunctio, often seen as a similar symbol of crossroads and paths.
    • Water: Albus.  Pure water, no other elements involved.
    • Earth: Populus.  No elements active.  Again, just as assigning Populus to Water in the first place, the system breaks down here.  However, being the most stable, fixed, and status-quo-enforcing figure of Water, it makes sense to give it to the slowest and heaviest of the elements, Earth, as a subelemental ruler.
  • Earth
    • Fire: Carcer.  Earth with Fire.  Dry, without any ability to communicate or interact with the world, is the image of Carcer, plus the hot-headed anger latent in this figure.
    • Air: Caput Draconis.  Earth with Water and Air.  The only Earth figure with Air, Caput Draconis indicates beginnings, things about to be formed and awaiting a pulse of energy from outside. 
    • Water: Fortuna Maior.  Earth with Water.  The most beneficical and fertile of the figures, Fortuna Maior combines Earth and Water to create long-lasting, though slow-going, change.
    • Earth: Tristitia.  Pure earth, no other elements involved.

So, given the elemental/subelemental rulership of the figures, a strictly elemental based ordering of the figures might look something like this:

  1. Laetitia
  2. Fortuna Minor
  3. Amissio
  4. Cauda Draconis
  5. Puer
  6. Rubeus
  7. Coniunctio
  8. Acquisitio
  9. Puella
  10. Via
  11. Albus
  12. Populus
  13. Carcer
  14. Caput Draconis
  15. Fortuna Maior
  16. Tristitia

Of course, this is ultimately a few sprinkles on the icing of the cake of Western geomancy.  An ordering of the figures like this is helpful to maybe learn the figures by mnemonic or to help present them in an orderly fashion, but doesn’t really influence the process of divination or magic much.  However, as far as I can tell, the notion of subelemental rulers of the figures is new, which might help people develop more nuanced notions of how the figures interact and interplay between them in a reading or when deployed in magic or ritual.

Occult Services and Commissions are Available!

It’s been a ways in coming, but I’ve finally decided to start offering ebooks, occult services, and commissions through the Digital Ambler.  Yes, you read that right: I’m now offering divination readings, ritual services, consultations, and commissions for crafts and designs, which you can pay for through PayPal over on the new Services page.  Some things are once-off payments, like divination readings or consultations, which can be paid for immediately.  Other things, such as tool crafting or design work, go by the hour and will start after we talk about needs, requirements, and the like; an invoice will be sent once the work is complete.  If you have any questions about these polyphanic services, feel free to email me (polyphanes at gmail) and I’ll try to advise as necessary.  Eventually, I’ll write more ebooks or coursework for the interested practitioner, but I’ll keep that in reserve for now; for now, I’ve written my first ebook “De Grammatomanteia”, a thorough treatment of Greek grammatomancy from a Hermetic perspective involving astrology, qabbalah, and numerology, available for $10 as a PDF.

You also may have noticed, dear reader, that you can now donate to the Digital Ambler through PayPal using the button on the right.  It’s completely up to you whether or how much you donate, or whether you take me up on my services and offerings, but even small amounts help loads (I suggest a simple $5).  If you donate or buy something off my Amazon wishlist, I promise to put in a good word for you and give you a shoutout on my blog for being so awesome and generous.

I write a lot for this blog because I want to, and because it helps get me to do the Work and get my Work out into the world.  I think it’s a good thing to show how my styles of magic and magical living can be done for others, not to mention showcase my own thoughts and rants.  Information, after all, wants to flow and be free.  Still, writing this blog takes up a nontrivial amount of time and effort; the Work is still work that requires resources and research; balancing my occult and mystical Work and studies with my federal and engineering work and errands is no easy task.  With a little help from my generous readers through commissions  consultations, or donations, I could get more Work done, get better tools for better crafting, procure more books and supplies to expand my project scopes, host my own blog independently, move to a better and quieter apartment, and the like.   Every little bit counts, and I hope to make those little bits count for a lot through my Work.

By the by, for you dear readers who signed up for a ritual experiment through Facebook or Twitter but haven’t heard back from me yet about that, I promise you I haven’t forgotten about it.  Things’ve been a lil’ hectic as of late and the project is on hold for now, but I’ll keep you posted of any progress or updates in the future.